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"sv": "<p>Forum Box presenterar norsk samtidskonst i samarbete med Baerum Kunstall. </p>\n<p></p>\n<p></p>\n",
"en": "<p>𝗕𝗶𝗮𝗻𝗰𝗮 𝗛𝗶𝘀𝘀𝗲: 𝗟𝗔𝗡𝗗𝗠𝗔𝗥𝗞𝗦</p>\n<p>The works exhibited at Forum Box are part of the larger research project Landmarks, which explores land demarcations, territorial struggles and language. The project encompasses sculptures, installations and live actions, and for the show at Forum Box it is presented through a textile piece and a video documentation of a performance, which premiered at this year’s Festspillene i Nord–Norge in Harstad.</p>\n<p></p>\n<p>𝗠𝗮𝗴𝗻𝗵𝗶𝗹𝗱 𝗢𝗽𝗱ø𝗹: 𝗪𝗔𝗟𝗞𝗜𝗡𝗚 𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗧𝗥𝗘𝗘𝗦</p>\n<p>For the past few years I have worked with fragments from nature, often drawings based on photographs and found objects, but also using the actual fragments and photographs in my work. I draw because I’m afraid to forget, and through the drawing I collect the places, thoughts, time and situations, both from where I found the image or object, and the time spent drawing it. Then I puzzle the fragments together to create a complete landscape.</p>\n<p></p>\n<p>𝗠𝗼𝗱𝗲𝗿𝗻𝗲 𝗥𝘂𝗶𝗻𝗲𝗿: 𝗛𝗢𝗠𝗘𝗟𝗘𝗦𝗦 𝗢𝗕𝗝𝗘𝗖𝗧𝗦</p>\n<p>For over a decade, Elisabeth Engen, Astrid Findreng, and Grethe Britt Fredriksen, in the artistic constellation of Moderne Ruiner, have been studying the remnants of abandoned industrial facilities and deserted buildings. In the exhibition Hjemløse gjenstander (Homeless Objects) the artists show a strong attraction to deteriorating places, abandoned houses, factories, and other establishments that have lost the battle against rapid urban development and industrial upgrading. These recognizable environments and objects have been transformed into a comprehensive installation consisting of 3D animations, detailed architectural models, tableaus, and sculptural objects.</p>\n<p></p>\n<p>𝗧𝗼𝗻𝗷𝗲 𝗕ø𝗲 𝗕𝗶𝗿𝗸𝗲𝗹𝗮𝗻𝗱: 𝗧𝗛𝗘 𝗖𝗛𝗔𝗥𝗔𝗖𝗧𝗘𝗥𝗦</p>\n<p>The aim of THE CHARACTERS is to encapsulate an entire artistic practice. Since 2008 Tonje Bøe Birkeland has, through THE CHARACTERS, given women a position within the landscape while exploring the objectivity of history. In Birkland’s expeditions, female explorers are staged in Unknown Territory. Materials have been gathered from their journeys, yielding stories and installations with photography in large formats, text panels, and a suitcase for every traveller, together portraying Characters # I – V. The heroine moves in pristine territory: in front of her loom grand explorations; beneath her, history is formed. However, for all their expansive vistas and sublime experiences, expeditions come at a price, both in the past and today.</p>\n<p></p>\n<p>𝗤𝗶 𝗧𝗮𝗻: 𝗦𝗜𝗟𝗩𝗘𝗥 𝗗𝗥𝗔𝗚𝗢𝗡</p>\n<p>Silver Dragon is a 3D animated film inspired by an unexpected discovery in a remote mica cave in Nesodden, Norway. While exploring this abandoned site, I was mesmerized by the shimmering mica fragments scattered throughout the dimly lit cave. These fragments evoke an image of a mystical dragon that might have once inhabited the space. The dragon's silver scales, left behind as it flew out of the cave, became a central motif in the story. Silver Dragon is not just a visual spectacle but also a deep exploration of identity, transformation, and the mysteries of life.</p>\n"
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