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        "fi": "Artor Jesus Inkerön Home Is Where My Mouth Is -yksityisnäyttelyssä kuvat ja teot piirtyvät esiin sanoin, ja teksti toimii eleinä. ",
        "sv": "I Artor Jesus Inkerös separatutställningen kommer bilderna och verken till synes i ord, och texten fungerar som gester. ",
        "en": "In Artor Jesus Inkerö’s solo exhibition Home Is Where My Mouth Is images and actions materialize as words, and text functions as gesture. "
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        "fi": "Artor Jesus Inkerö: Home Is Where My Mouth Is",
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        "fi": "<p><strong>Artor Jesus Inkerön</strong> <em>Home Is Where My Mouth Is</em> -yksityisnäyttelyssä kuvat ja teot piirtyvät esiin sanoin, ja teksti toimii eleinä. Paperille maalatut lauseet ja lausekkeet – <em>Home is Where My Mouth is</em>, <em>Extreme Form of Hedonism</em>, <em>Architectural Sodomy </em>– ovat henkilökohtaisia, kantaaottavia ja assosioivia. Ne viittaavat kielen rakenteiden lisäksi materiaalinsa puolesta myös kodin remontoimiseen ja muutokseen. Teoksissa arkkitehtuuri yhdistyy kehoon ja kehon kokemuksiin. Osana näyttelyä ensiesityksensä saavassa videoteoksessa yhdistyy Inkerön ja eri tekijöiden käsialat.</p>\n",
        "sv": "<p>I <strong>Artor Jesus Inkerös</strong> separatutställningen kommer bilderna och verken till synes i ord, och texten fungerar som gester. De med husfärger nedtecknade fraserna och satserna - <em>Architectural Sodomy</em>, <em>Home is Where My Mouth is</em>, <em>Extreme Form of Hedonism</em> - är personliga, ställningstagande och associativa. Utöver själva språkstrukturen refererar de utifrån materialvalet till renovering och förändring av hemmet. I verken på utställningen förenas arkitektur med kroppen och kroppsupplevelser. I videon som premiärvisas på utställningen förenas Inkerös och andra konstnärers handstilar.</p>\n",
        "en": "<p>In <strong>Artor Jesus Inkerö’s </strong>solo exhibition <em>Home Is Where My Mouth Is </em>images and actions materialize as words, and text functions as gesture. Using house paints on paper, the artist has inscribed phrases that are deeply personal, political and associative, such as <em>Architectural Sodomy</em>, <em>Home is Where My Mouth is</em>, and <em>Extreme Form of Hedonism</em>. Besides invoking linguistic structures, the handwriting – by virtue of its material – suggests home renovation or remodelling. In the displayed works, architecture is linked directly to the body and corporeal experience. The exhibition additionally marks the premiere of Inkerö’s new video piece made in collaboration with various artists.</p>\n"
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